Friday, June 14, 2024 at 7:30 p.m.
Boucherville
Église
Sainte-Famille
560 Marie-Victorin Blvd.
The mention of the name Piazzolla instantly transports one’s imagination to Buenos Aires. Yet, this revolutionary and controversial musician offers a thousand surprises, from his childhood in New York immersed in jazz to his return to Argentina, where he made his mark as an exceptional performer. His subsequent departure for France, seeking to distance himself from his traditional tango, led to a surprising turn of events, when the great Nadia Boulanger declared that his true voice lay in a new form of tango, infused with all his diverse influences. These elements all converged to define the genius of one of history’s most renowned musicians.
The trio of piano, cello, and marimba/vibraphone, though unexpected, is the perfect instrumental combination to explore Piazzolla’s repertoire from his French period, juxtaposed with the jazz standards that influenced him, oscillating between nostalgia, languid phrasing, and explosive rhythms.
Stick&Bow
Krystina Marcoux, marimba/vibraphone
Juan Sebastian Delgado, cello
John Roney, piano
Astor Piazzolla
Buenos Aires hora cero*
Carlos Gardel
El dia que me quieras**
Astor Piazzolla
Revirado*
George Gershwin
Prelude no. 2 for piano,
for cello and marimba
Astor Piazzolla
Contrastes*
George Gerwshin
Improv on
Prelude no. 2 for solo piano
Astor Piazzolla
Rio Sena*
Nadia Boulanger
1st movement of
Trois pièces pour violoncelle et piano
Astor Piazzolla
Soledad*
Gerry Mulligan and Paul Desmond
Line for Lyons,
for piano and vibraphone
Astor Piazzolla
Vardarito*
ENCORE
Astor Piazzolla
Picasso*
*Original arrangements: Gustavo Beytelmann (former pianist for Astor Piazzolla)
**Original arrangements: John Roney and Stick&Bow