Monday, June 3, 2024 at 7:30 p.m.
With intermission
Boucherville
Église Sainte-Famille
560 Marie-Victorin Blvd.
The grand motets for soloists, choir, and orchestra by Jean-Joseph Cassanéa de Mondonville (1711-1772) are part of the great treasure trove of 18th-century French music. Situated between Baroque and Classical music, these all-too-little-known works of powerful choruses and expressive arias offer a glimpse of the heavens “à la française”!
A contemporary of Mondonville, the famous violinist Jean-Marie Leclair (1697-1764) distinguished himself not only by the excellence of his playing but also by the magnitude of his compositions, which propelled the violin in France to a whole new level through the virtuosity and unparalleled imagination of this neglected composer.
Jerusalem Baroque Orchestra
David Shemer, conductor and artistic director
Daniela Skorka, soprano
Ensemble Caprice
Matthias Maute, artistic director
Ensemble ArtChoral
Matthias Maute, artistic director
Jean-Joseph Cassanéa de Mondonville (1711-1772)
De profundis clamavi
Psalm 129 for soloists, chorus and orchestra
Chœur
Récit de basse-taille
Récit de haute-contre
Chœur
Récit de dessus avec chœur
Chœur: Requiem
Johann Caspar Ferdinand Fischer (1656-1746)
Le journal du printemps, Overture, no 4
Ouverture
Entrée
Rondeau
Gavotte
Menuet
Passacaille
INTERMISSION
Jean-Joseph Cassanéa de Mondonville (1711-1772)
Dominus regnavit
Grand Motet pour soli, chœur et orchestre
Chœur
Trio: alto-ténor-basse
Duo: soprano 1-soprano 2
Chœur: « Tempeste » - Vivement
Soprano: Testimonia tua
Chœur: Gravement-Vivement